Giovanni Fusco: musicista compositore per film e cinema  
 
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Giovanni Fusco: musicista compositore per film e cinema - Le Opere
"La musica è la luce, l’anima del film."
- Giovanni Fusco -
 Le Opere
 

Giovanni Fusco Compositore ITA | > Giovanni Fusco Composer ENG

 

WORKS

Chamber music: Piccolo concerto for clarinet and orchestra; Tam Tam degli animali-Deus in Corde for children’s  voices and 5 instruments (1965), Prima rondine – canzone for voice and piano (1965); Canzone dell’uccellaio for basso and orchestra; Two arias for stringed instr. and organ;

For instruments: Moderato for piano; Sonata a due for violin and cello (1941); Boogie Woogie for accordion (1952); Sonata a tre per violin, flute and cello (1952); Danza for flute; Ninna nanna for piano (1954); Concerto for piano; Fantasia da concerto for violin and stringed instr. in four acts; Danza for solo violin; Giocattoli-suite for piano (1965); Ballata for solo piano; Marcetta for harpsichord;

For orchestra: Peoma sinfonico (Erminia’s Escape from the freed Jerusalem); Balletto (from the opera La scala di seta- 1934); Notte (1939); Marcia ciaccona (1942); Dormitorio for orchestra; Via Margotta Elegia for orchestra; Suite americana; Sinfonia italiana (1965);

For chorus: Salve te purissimi eroi ( For  4 voices male chorus – 1932)

For the theatre: La scala di seta (Lyric opera 1935); Via nuvola 33 (Musical comedy – 1938); L’ultimo venuto (One-act musical comedy); La rapina - ballet on a subject by Michelangelo Antonion – (for orchestra Hully Gully – Danza – Slow – Blues – Notturno – 1965):

Sacred: Cantata Profetica (For solos, chorus, and orchestra from Psalm 83 – 1941); Quam Dilecta (Aria for bar from the  prophetic Cantata – 1941); Canto di Natale (on lyrics by Jacopone da Todi – 1942); Offertorium (For  mixed chorus from Psalm 68 – 1944); Mottetto – O Memoriale – from the Inno all’Eucarestia  by St. Thomas for singers,  piano or organ; Glory for chorus, drum, and rattles; Psalm 95 – Cantate al Signore – for chorus, brass, and percussion instruments); Psalm 12 – Fino a quando o Signore – for chorus of 4 mixed voices); Psalm 112 – for 4 solo voices, two guitars, jazz battery dedicated to Petrassi); Ave Maria for chorus (or unison), tam tam, cymbals, organ (or harmonium); Veni Creator for unison chorus or two mixed voices; Alleluia for 8 voice chorus; Cristo è nato for unison chorus; Stella nuova’n fra la gente for unison chorus; Te Deum or Tantum Ergo for chorus;

Cinema: Pastorale (Documentary – 1936); Il cammino degli eroi (Documentary, directed by C. D’Errico – 1936); Joe il rosso (film, directed by R. Matarazzo – 1936); Questi ragazzi (film, directed by M. Mattioli – 1937); La contessa di Parma (film, directed by A. Blasetti – 1937); Il dottor Antonio (film, directed by E. Guazzoni – 1938); Nella luce di Roma (film – 1938); Armonie Pucciniane (film – 1938); Il peccato di Rogelia Sanchez (film, directed by C. Borghesio and R. De Ribon);  Pazzo di gioia (film, directed by C.L. Bragaglia – 1940); Miseria e nobiltà (film, directed by C. D’Errico – 1940); Il pirata sono io (film, directed by M. Mattioli – 1940); Non me lo dire (film, directed by M. Mattioli – 1940); Due cuori sotto sequestro (film, directed by C.L. Bragaglia – 1941); L’uomo venuto dal mare (film, directed by R. De Ribon and B. Randone – 1941); Soltanto un bacio (film, directed by G. Simonelli – 1942); Una volpe a corte (film); Dente per dente (film, directed by M. Elter – 1942); Comacchio (Short, directed by F. Cerchio – 1942); Uomini in più (Short, directed by M. Antonioni); Guglielmo Tell (film);  Le modelle di via margotta (film, directed by G.M. Scotese – 1945); Il sole di Montecassino (film, directed by G.M. Scotese – 1945); Cartouche (film); Uno tra la folla (film, directed by E. Cernesi and P. Tellina – 1946); Martin Roumagnac (film, directed by G. Lacombe – 1946); Umanità (film, directed by J. Salvatori and G. Manners – 1946); Follie per l’opera (film, directed by M. Costa – 1947); Eterni pasoli (Short – 1947); N.U. Nettezza Urbana (Short, directed by M. Antonioni – 1948); Ti ritroverò (film, directed by G. Gentiluomo – 1948); Arte in Sicilia (Short, directed by G. Rivalta – 1948); Sette canne e un vestito (Short, directed by M. Antonioni – 1948); La mano della morta (film, directed by C. Campogalliani – 1949); Gente così (film, directed by F. Cerchio – 1949); L’amorosa menzogna (Short, directed by M. Antonioni – 1949); La città di Stendhal (Short, directed by F. Cerchio – 1949); Superstizione (Short, directed by M. Antonioni – 1949); Il giudizio di Michelangelo (Short, directed by Pellegrini – 1949); Bagnaia paese italiano (Short, directed by F. Maselli – 1949); La villa dei mostri (Short, directed by M. Antonioni – 1950); Cronaca di un amore (film, directed by M. Antonioni – 1950); Il tenente Craig, mio marito (film, directed by G. Gentiluomo – 1950); Niente va perduto (Short, directed by F. Maselli – 1951); Ho fatto tredici (film, directed by  C. Canzoni – 1951); Fioraie (Short, directed by F. Maselli – 1951); U. West (Film); Lavorando per voi (Short, directed by Marchi – 1951); Bambini (Short, directed by F. Maselli – 1952); Festa a Positano (Short, direced by F. Maselli – 1952); La vendetta dei Tughs (film, directed by G.P. Callegari – 1952); I vinti (film, directed by M. Antonioni – 1952); Il mercante di Venezia (film, directed by P. Billon – 1952); Il tesoro del Bengala (film – 1952); Eran trecento…La spigolatrice di Sapri (film, directed by C.P. Callegari – 1952); La signora senza camelie (film, directed by M. Antonioni – 1953); Canzoni a due voci (film, directed by G. Vernuccio and Werner John – 1953); Traviata ’53 (film, directed by V. Cottafavi – 1953); L’orfana del ghetto (film, directed by C. Campogalliani – 1954); Argentario (Short, 1954); I misteri della giungla nera (film, G.P. Callegari – 1954); Avanzi di galera (film, directed by V. Cottafavi – 1954); Un po’ di storia del caffè (Short, directed by F. Cerchio – 1954); Le amiche (film, directed by M. Antonioni – 1955); Gli sbandati (film, directed by F. Maselli – 1955); Uomini nella nebbia (film, directed by Nardi – 1955); I quattro del getto tonante (film, directed by F. Cerchio – 1955); Yalis, la vergine del Roncador (film, directed by F. De Robertis – 1956); L’angelo delle Alpi (film, directed by C. Campogalliani – 1956); La trovatella di Milano (film, directed by G. Capitani – 1956); Lolita (film); Vecchio cinema…cha passione! (film, directed by A. Crudo – 1957); Il grido (film, directed by M. Antonioni – 1957); De Pisis (Short, directed by Dona – 1957); Simone Martini (Short, directed by Andreassi – 1957); I paradisi della domenica (Short, directed by F. Maselli – 1957); Un fatto di cronaca (directed by F. Maselli – 1958); Afrodite dea dell’amore (film, directed by M. Bonnard – 1958); Avventure nell’arcipelago (film, directed by D.B. Partesano – 1958); Camicia nera (film, directed by S. Campogna – 1959); I cosacchi (film, directed by G. Rivalta – 1959); Hiroshima mon amour (film, directed by A. Resnais – 1959); L’avventura (film, directed by M. Antonioni – 1959); Milano nera (film, directed by G.R. and P. Serpi – 1960); Il rossetto (film, directed by D. Damiani – 1960); I delfini (film, directed by F. Maselli – 1960); La donna dei faraoni (film, directed by G. Rivalta – 1960); Il sepolcro dei Re (film, directed by F. Cerchio – 1960); Elegie romane (film, directed by S. Lorenzi – 1961); La guerra di Troia (film, directed by G. Ferroni – 1961); L’oro di Roma (film, directed by C. Lizzani – 1961); Climats (film – 1961); Max Beckmann (Short, directed by Angella – 1961); Eneide (film); Il mare (film, directed by G.P. Griffi – 1962);  Col ferro col fuoco (film, directed by F. Cerchio and F. De Masi – 1962); L’Eclisse (film, directed by M. Antonioni – 1962); Dulcinea incantesimo d’amore (film, directed by V. Escriva – 1962); La monaca di Monza (film, directed by C. Gallone – 1962); Il fiore e la violenza (film, directed by M. Antonioni – 1962); La leggenda di Enea (film, directed by A. Band – 1962); La leggenda di Genoveffa (film, directed by A.M. Rabenalt – 1962); Lo sceicco rosso (film, F. Cerchio – 1962); Storie sulla sabbia (film, directed by R. Fellini – 1963); I fuorilegge del matrimonio (film, directed by V. Orsini and the Taviani brothers – 1963); La corruzione (film, directed by M. Bolognini – 1965); Les Palais de la gloire (film, directed by H. Decoin – 1963); Violenza segreta (film, directed by G. Moser – 1963); Rocambole (film, directed by B. Borderie – 1963); Deserto rosso (film, directed by M. Antonioni – 1963); Gli indifferenti (film, directed by F. Maselli – 1964); I pirati della Malesia (film, directed by U, Lenzi and H. Humphrey – 1964); Tre notti d’amore (film, directed by R. Castellani – 1964); La montagna di luce (film, directed by U. Lenzi and H. Humphrey – 1964); Sandokan, la tigre di Mompracem (film, directed by U. Lenzi – 1964); I tre sergenti del Bengala (film, directed by H. Humphrey – 1964); La tigre della Malesia (film); Violenza al Congo (film); La guerre est finie (film, directed by A. Renais – 1966); Il nostro agente a Casablanca (film, directed by Demicheli – 1966); Domani non siamo più qui (film, directed by B. Rondi – 1967); I sovversivi (film, directed by the Taviani brothers – 1967); Violenza per una monaca (film, directed by J. Buchs Garcia – 1967); Il giorno della civetta (film, directed by D. Damiani – 1968); Più tardi, Claire più tardi… (film, directed by B. Rondi – 1968); Il sesso degli angeli (film, directed by U. Liberatore – 1968); Giarrettiera colt (film, directed by Rocco – 1968); Amore e rabbia (film, directed by C, Lizzani, B. Bertolicci, J. Godard, P.P.Pasolini, M. Belloccio – 1969); La battaglia del Sinai (film, directed by M. Lucidi – 1969); La morte non ha sesso (film, directed by M. Dallamano – 1969); L’aveau (film, directed by Costa-Gavras – 1970).
 
   
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